When I stare off into space I notice that it never stares back and this is upsetting because there should be some basic interaction even a snake will rear back its head and rhinoceros beetles will make evasive moves on the forest floor like the woman who thought my name was “Spike” but you never know how these interactions will go and whether the thick Hawaiian air will wash back like a tsunami and suck you out to sky and if you make believe you are swimming you will float to the top as long as your eyes are even with the top deck of the cruise ship and your feet are pointed in the right direction and this I was taught by the old goat-man in the outback with the teas and mushroom elixirs who like me threw his eyes into the clouds waiting for them to return in rushing waves slamming all of his ideas to loamy earth rich for the taking but there he was a constantly blind person so when a tree bends or a cloud arcs over a mountain top or a salmon dies in the mouth of a bird or a child looks away I think this might be me because everything is me and that is what makes this lack of discourse personal because there should be consequences for what I do.
Brad Garber
Writer, musician, photographer, model, Brad has published poetry in Cream City Review, Alchemy, Fireweed, “gape seed” (published by Uphook Press), Front Range Review, theNewerYork Press, and Mercury. His essays have been published in Brainstorm NW and N, The Magazine of Naturist Living; his erotica has appeared in Oysters & Chocolate, Clean Sheets and MindFuckFiction. A musician/lyricist since 1969, Brad was a 2003 Regional Semi-Finalist in the USA Songwriting Competition, and Honorable Mention in 1980 and 1981. He has exhibited paintings in galleries and coffee houses in the Portland area, and was showcased in the Cascade AIDS Auction catalogue in 1999. Living observation, in any genre, is poetry.
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