The H is for High-and-Dry / Fingers like Snakes / Sacrament

 

The H is for High-and-Dry

 
Christ has risen! And then He moved into my place, flopped down on my couch, and hasn’t risen since.
He eats my cereal and refuses to learn where my vacuum cleaner is.

He says His dad’s got work lined up for Him out of state, but the job doesn’t start until after Easter.

Some days, arriving home from work, I have to navigate legions of cripples and blind lepers to get to my front
door and into my living room, where He’ll be on my couch performing healings—
except, of course, during All My Children.

Sometimes His crew rolls up, and they kick it in my living room, but usually
            He kicks His feet up on my coffee table,
            kicks off His sandals, and kicks
            their asses at Halo.

He hasn’t washed even a fork since He showed up here with His satchel of herb, but my feet are as clean as ever.
            I wish I could say the same for the toilet—apparently
            He’s not acquainted with flushing
            or toilet paper—His robes are starting to reek.

But He is fun at parties:
            B.Y.O.H2O!

And it is nice to have more prostitutes around the house—maybe one of them will tell my landlord not to worry about the missing rent check.
I’ve been too busy scrubbing wine stains out of my carpet to ask for rent.

This morning I woke—He was gone, left only a dirty pillowcase,
            my fig-stained couch and an old pile of IOU’s.
 

 

Fingers like Snakes

 
Outside the courthouse, two young women
walk by—I look at the breasts: these pairs,

tiny, like gentle rises in the landscape
of a barren chest—I realize why

I’ve always gravitated toward the small ones—
it’s that they look underdeveloped, like the body

still contains its ancient innocence,
like the girls I first noticed in sixth

grade, the awkward glances, the pure
joy of the playground, a lifted skirt.
 

 

Sacrament

 
                                    The priest’s hands are red with cash
                                    and the salvation of just under a million
                                    served—Sunday visitors that weave

                                    through the oaken doors, past stained glass
                                    storybooks, to stop at penitent seating
                                    and murmurs of fear disguised as calculated

                                    arguments for personal salvation.
                                    He again thrusts his spotted hands in the air,
                                    a practiced motion he calls beseeching

the frontmost parishioners are misted with                            pages he boils down into
flecks of red—                                                                      the easiest argument to make
centuries of study and a thousand                                         children could devise this:

                                    What you are feeling is correct, my children.
                                    You are not enough, and never shall you be.
                                    He made us incomplete, which is why we must

                                    seek Him. The organ inhales,
                                    the parish turns its pages—today’s hymn:
                                    God Hates Everyone but Me.

 

Ed O’Casey

Ed O’Casey received his MA from the University of North Texas. He loves all things narcissistic, and lives with his unruly wife and daughter. His poems have appeared or are upcoming in Danse Macabre, Tulane Review, Wilderness House Literary Review, Euphony, Cold Mountain Review, Northern Liberties Review, NANO Fiction, and South 85. He is currently an MFA candidate at New Mexico State University.

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