To Write Or Not To Write

 

       For instance, right now, I’m begging for a piano, a guitar, a can and a stick, something to get the tonnage of this moment off my chest. Pen and paper? Last thing I’d go for while I still can’t breathe. She’s just called to say goodbye. She’s going back to her former lover. Did I say lover? We never even kissed.
       I’ve just stared at several eternal minutes. If I was at the piano, a note, one sound would propel me through this dumb silence. Music: a telegram of sound.
       Another pause while I remembered the flowers I’d left at her apartment today. Before I got the call.
       You know what? I’d really rather write about matters that haven’t happened. This pen, for example: I’m sure it’s never wanted to leap off my desk and into service. If I were a pen, I’d want to lay low, unnoticed, and thereby get the most out of what amounts to a very short life.
       If writing were the equivalent of a back rub, well, then, I suppose sheets of paper would line up in reams for their turn. But does anybody really think having ink swirls of pathos smeared all over your face and backside is a pleasure? Something to line up for?
       Right now, I want to see this poem get up on its feet and walk to the phone. I think it’s ready for that kind of deliberate dénouement. At her earliest convenience my poem and she could start a conversation with prosaic possibilities: call it the naked truth.
       Writers can avoid the subject, can’t they? But try writing an up-tempo, happy little ditty when you’re ripping chords and catgut out of your chest. If you succeed, I know a great psychiatrist you should probably use. That kind of dissociation should be medicated and watched round the clock.
       A couple of days ago, I had butterflies in my stomach and the thought of her turned a heater on full blast in my chest. Here’s where I’d make my way swiftly to the bass notes, starting with a B flat minor. I don’t think, even at my age, hearts are ever accustomed to the swift knife-plunge of rejection on an answering machine.
       Answering machines. Voice mail. If only there were. If only the machine had carefully listened to her tidy explanation of how she’d hoped I wouldn’t be hurt and told her what an outrageous hope that was. If only I could mail my voice to her while she’s lying next to what’s-his-name again and whisper, ever so quietly in her ear:  schmuck!
 

Thomas Griffin

Thomas Griffin’s poetry has appeared in Pudding Magazine, The Pitkin Review, This Wood Sang Out anthology, Pivot anthology, Lotus.zine, Holly Rose Review, The Aurorean and others, as well as in the chapbook collection, Ordinary Life. He is the recipient of an Academy of American Poets award and was recently nominated for a Pushcart prize for “The Passing.” You may find more about him at www.thomasgriffinarts.com. [Photo: Indra Tracy]

Thomas Griffin's website »