Barbara Westwood Diehl is founding editor of The Baltimore Review. She works for the Johns Hopkins School of Public Health and is completing her M.A. in Writing from Hopkins. Her fiction and poems have been accepted by a variety of publications, including MacGuffin, Confrontation, Rosebud, JMWW, Potomac Review, American Poetry Journal, Measure, Little Patuxent Review, SmokeLong Quarterly, Gargoyle, Superstition Review, Word Riot, Northwind, Atticus Review, Bartleby Snopes, and Ellery Queen Mystery Magazine.
Artist : Jihane Mossalim
Montreal native Jihane Mossalim studied Fine Arts at Dawson College and worked in the media industry as a special effects and beauty make-up artist before transitioning to full-time painting. Her works have been shown in galleries throughout North America, including Montreal, Toronto, Vancouver, Chicago and Colorado. Currently exhibited in Montreal as well as in private collections, she is now represented by Corinne Asseraf of Galerie 203 in old Montreal, where most of her paintings can be found. She is interested in how the human mind works and its selective way of remembering certain things and not others; in the way the brain views memories as still frames and how only a very select few will make it to old age. Representations of children are an essential part of Jihane’s work; people’s deepest fears, craziest dreams and beliefs, and fondest memories are born in childhood. The older we get, the more mysterious it becomes, and that fascinates her.
Artist : Lysa Rhean Provencio
Lysa Rhean Provencio is a Los Angeles based, self-taught artist who has shown in over a dozen group shows in Los Angeles galleries such as La Luz De Jesus and The Hive. She has curated six themed group shows, and did a series of paintings for Fender Guitar on custom made guitars. Her art can be described as a world woven between spectral dreams that celebrates the ebb and flow and fragility of the human experience. For Lysa, art is a light, fast prayer, a dimly lit spell, and supple confession. Currently she resides in Orange with her boyfriend and her feline muse, Babyhead. You can find her latest updates at lysarheanprovencio.blogspot.com.
Artist : David Valentine
Born and raised in New Zealand, David Valentine initially studied at Auckland’s nascent film schools of the mid 1980s. Deeply impacted by the social and cultural changes in New Zealand at that time, David turned his attention from film to political activism. After extensive travel throughout Asia, he settled in San Francisco, where he found inspiration in the early 1990s underground dance and DJ culture and began producing rave flyers, club promotions, and magazine spreads in his own distinct and instantly recognizable style. He co-founded the design/activism collective Shimako-Dominguez and has also worked independently as a graphic designer for a range of clients including Sony, Showtime, Chronicle Books, London’s Globe Center, and the MadCat International Film Festival. In his artwork, he fuses themes of myth and magic with an urban state of mind. His focus is often small, fleeting moments drawn from folklore and fairytales that are relocated to more contemporary settings. This meeting of the fantastical and the real is emphasized through his use of everyday materials like particle board, varnish, and glue alongside more painterly elements.
Artist : Marilyn Andrews
Nelson-based artist Marilyn Andrews works to create vibrant images from her environment. She finds landscapes a wonderful excuse to play with shapes, colours and textures on the canvas surface. It’s the juxtaposition and resonance of colour that she really enjoys…light and vibration. Gabriele Munter, Monet, Kandinsky, Gustav Klimt, Doris Lusk and Toss Woollaston have all influenced her work, each artist taking her through experimental paths of exploration. Marilyn has been a finalist in the New Zealand Wearable Art Awards, multiple finalist in the Telecom Artawards, winner of the Yellow Pages Arts Scholarship in 2003, and has had work selected for exhibitions nationally.
Artist : Matt Gauldie
My art has always been my own interpretation of the people I’ve met and the places I’ve been; my life and experiences along the way — from shearers in dusty Maniototo sheds, painting Rawhiri’s descendents at Whiria Pa in the Hokianga to Nervous Jockeys preparing to race at Mosgiel’s Wingatui track, orchard workers at Mariakakaho, Hawkes Bay, NZ soldiers on long-range missions high in the mountains of Afghanastan’s Hindu Kush, wharfies tying down container ships at Wellington port, the theatrical world of Wellington’s late-night burlesque performers…I feel fortunate as an artist to have had the opportunity to investigate and capture these rich experiences in art.
Artist : Barry Ross Smith
With each new work, I endeavor to express fresh ways to represent ideas about relationships and connections with my environment; the inside thoughts combined with outside influences. Each artwork attempts to articulate an observation that has struck me as somehow worthy of further thought. I don’t believe that art is about discovering ‘truth’ as the word truth implies universality or a collective rule. I think that being true to my environmental influences is to endeavor to be ‘honest’ about how I perceive my world.